No Time To Die’s Ana de Armas debuts new raven locks and wows in 60s-inspired mini dress as she joins a leggy Alicia Vikander and Phoebe Dynevor at star-studded Louis Vuitton Paris Fashion Week show
No Time To Die’s Ana De Armas, Alicia Vikander and Phoebe Dynevor led the celebrity arrivals at the Louis Vuitton Spring Summer 2022 show during Paris Fashion Week on Tuesday.
The Bond actress, 33, looked incredible in a candyfloss-hued 60s-inspired mini dress, adorned with silver butterflies as she posed up a storm.
The pretty dress showed off her incredibly toned legs and was paired with black leather boots and a chain link bag.
Wow: No Time To Die’s Ana De Armas (left), Alicia Vikander (centre) and Phoebe Dynevor (right) led the celebrity arrivals at the Louis Vuitton Spring Summer 2022 show during Paris Fashion Week on Tuesday
Ana wore her newly-raven tresses in a chic up do and sported smoky eye make-up.
Acclaimed actress Alicia, 32, put on a leggy display in a white mini dress paired with a quirky metallic leopard print jacket.
She completed the chic look with shiny black heeled boots and wore her brunette tresses styled in soft waves as she arrived.
Meanwhile Bridgerton Star Phoebe, 26, commanded attention in a long silver skirt and matching crop top which featured pink frills around the edge and white straps.
Time for style: The Bond actress, 33, looked incredible in a candyfloss hued 60s-inspired mini dress, adorned with silver butterflies as she posed up a storm
Strike a pose: Her brunette tresses were styled in soft waves as she arrived
Looking good: Meanwhile Bridgerton Star Phoebe, 26, commanded attention in a long silver skirt and matching crop top which featured pink frills around the edge and white straps
Stylish lady: Ana looked great in her pink dress which she later teamed with a black coat
Radiant: Phoebe wore her hair in a side parting and opted for a glowing makeup look
Phoebe completed the look with strappy black heels and beamed as she posed confidently for the camera.
The pair joined a host of stars including Gemma Chan, Cynthia Erivo, Tom Daley and Venus Williams at the show – which marks the finale of fashion month.
Ana’s outing comes as No Time To Diereportedly had the biggest UK opening weekend for a James Bond film after it grossed an impressive £21million.
Daniel Craig’s final outing as 007 beat both Skyfall and Spectre which both made £20million at the British box office in their first three days.
Model looks: Romee Strijd wowed in a brown Louis Vuitton dress and pink and brown boots
Beautiful: Ana opted for a radiant makeup look complete with a slick of light pink lip
Chic: Regina King looked great in a white blazer and black shorts as she arrived at the event
All-black: Gemma Chan made sure all eyes were on her as she arrived in an oversized shiny coat
Come rain or shine: Cynthia Erivo brightened up the dull Parisian day with a bright blue mini dress
Beautiful: Ana wore her newly-raven tresses in a chic up do and sported smoky eye make-up
According to The Sun, bosses are expecting the flick to be the third most successful Bond film internationally after its release was delayed by months due to Covid-19.
This year’s film opened in a record-breaking 772 cinemas in the UK and Ireland on Thursday, 25 more than the previous record holder, 2019’s Star Wars: Rise of Skywalker, making it Universal’s widest ever release in the UK territory.
Skyfall, Daniel’s third outing as 007, opened in 587 cinemas when it was released back in 2012.
More than 30,000 people bought tickets for midnight screenings of the film in the UK and Ireland and 1.6 million tickets were sold for the first four days after opening, 12% more than Spectre but similar to Skyfall.
Figure: Phoebe showed a hint of her toned abs in the two-piece
Sportsman: Olympic diver Tom Daley looked suave in a black leather jacket for the star-studded show
Making an appearance: Tom looked great in the leather jacket which he teamed with a patterned T-shirt
Sleek look: Gemma completed her all-black ensemble with a pair of stilettos and Louis Vuitton bag
Standing out: Russian model Natalia Vodianova wore a grey blazer and long green boots
Leggy: Alicia showed off her toned pins in the white skirt which she teamed with shiny black boots
Quirky: Jennifer Connelly (left) turned heads in a black tassel dress that featured statement sleeves
Tennis star: The sportswoman looked great in the thigh-skimming dress which she teamed with a padded black jacket
Star: Bulgarian actress Maria Bakalova made sure all eyes were on her in a white jacket and black boots
Great style: English-French actress Stacy Martin wowed in tight black trousers and a red and white floaty blouse
Toned pins: German fashion blogger Caroline Daur looked great in a multicoloured skirt and jacket
Incredible: The venue for the fashion show was beautiful
The looks: The runway show featured a variety of stunning creations
Finale: Tuesday marks the last day of Paris Fashion week
Wow: Phoebe completed the look with strappy black heels and beamed as she posed confidently for the camera
MailOnline has contacted production company Eon Productions for comment.
Skyfall has been the most financially successful Bond film to date with £820million at the box office while Spectre earned £646million.
No Time To Die scored an overseas record amid the pandemic with a £87.7million ($119.1 million) international opening in 54 markets.
The debut marks the third-highest Friday gross in October, as well as the third-highest Friday gross in the James Bond franchise.
Daniel Craig’s final stint as 007 won’t be released in the US until October 8, so it’s likely to get another big boost then.
Success: French fashion designer Nicolas Ghesquiere (R) acknowledges the applause at the end of the Louis Vuitton show
Success: Ana’s outing comes as No Time To Die reportedly had the biggest UK opening weekend for a James Bond film after it grossed an impressive £21million
Even more impressive is that No Time To Die became the first film released during the global health crisis to cross the £73.7million ($100 million) mark without a mainland China release, which usually pads out box office figures, though the film was still released in Hong Kong.
The film’s opening weekend figures are expected to be the third-highest for a Bond film and the sixth-highest of any movie.
Many fans flocked to see No Time To Die on extra-large IMAX screens, breaking records for the special format, and it also earned the best opening-weekend in 24 different countries.
It comes after No Time To Die’s first day ticket sales were 13% higher than 2015’s Spectre but 26% lower than 2012’s Skyfall.
Profits: Daniel Craig’s final stint as 007 won’t be released in the US until October 8, so it’s likely to get another big boost then
However, producers have described the film as the UK’s ‘widest theatrical release of all time’, with the figures being a pandemic-era best.
The day of the film’s Thursday release, Odeon bosses said it had sold more than 175,000 tickets while Cineworld said ticket sales for the film marked its highest pre-selling film since Marvel’s superhero movie Avengers: Endgame in 2019.
Cineworld also said there were already ‘several sold out screenings’.
Cinema operators have been banking on the popularity of the decades-old Bond franchise to accelerate a revival in a sector which is trying to get back on its feet in the face of lingering concerns about coronavirus and competition from streaming services.
According to the latest figures, the new James Bond film is attracting older viewers in particular. AMC-owned Odeon said that more than one-third of the tickets were booked by people over the age of 46.
The company added that attendance at its UK venues this month was tracking 10% above pre-crisis levels, boosted by demand for the 25th Bond film..
No Time To Die was delayed by a total of 18 months due to the ongoing Covid crisis, but was finally set for release on 30 September.
Competition: No Time To Die’s first day ticket sales are 13% higher than 2015’s Spectre but 26% lower than 2012’s Skyfall
The film was originally scheduled for release in November 2019 but was postponed to February and then April 2020 following the departure of original director Danny Boyle due to creative differences.
A China premiere and publicity tour was cancelled in April 2020 due to the outbreak of the coronavirus pandemic, originally pushing the release back to November 2020.
In October 2020 it was delayed again to April this year, with further delays happening in January and February of this year, with the world premiere date being announced as 28 September last month.
The film has placed ninth in the top 10 of most expensive films ever made, costing £232m.
Farewell: No Time To Die is actor Daniel Craig’s final outing as title character James Bond after 15 years in the role
NO TIME TO DIE REVIEWS: Magnificent and extravagant
THE DAILY MAIL
‘[No Time To Die is] an explosive, tense, daring, and most of all surprising adventure, toying with our preconceptions about the world’s greatest secret agent and exploring his personal life more intimately than ever before.’
Craig’s final film as the diva of British intelligence is an epic barnstormer, with the script delivering pathos, action, drama, camp comedy, heartbreak, macabre horror, and outrageously silly old-fashioned action in a movie which calls to mind the world of Dr No on his island.
Cary Joji Fukunaga’s extravagantly satisfying, bulgingly proportioned last chapter to the Craig era, throws almost everything there is left to throw at 007 the series can come up with.
It might have taken its time getting him, but No Time to Die confirms that whoever the next James Bond is, they’ve got some big shoes to fill.
In his final turn as 007, Craig exits the franchise with a bang – as well as many crashes and several wallops. The stunts are simply spectacular, with one particular scene involving a motorbike in Italy that will leave you watching through splayed fingers in exhilarating fear.
After Spectre, he famously said he’d rather slash his wrists than play Bond again. Instead, with the help of a talented team, he’s taken a razor blade to the idea of Bond. Craig bows out with his head held high. Way to go.
For the most part though, and with so much at stake thanks to Covid decimating cinema, No Time To Die producers Barbara Broccoli and Michael G. Wilson should be applauded for taking some bold risks. The gobsmacking ending, in fact, may be the biggest in Bond history.
While Craig is a consummate action star, director Cary Joji Fukunaga’s more radical vision of James Bond is fleeting, his film a rotating sideshow of old characters and plot points
This film does things that no Bond film has ever done, and despite relying heavily on tropes that feel not only familiar but comforting, it is the unfamiliar things it does that make this such an exciting entry.
Spectacularly well shot, wonderfully dark villains (Rami Malek’s performance is faultless) and perhaps more depth than before, perhaps Bond really can save the day – for cinema in the short term at least.
No Time to Die is a terrific movie: an up-to-the-minute, down-to-the-wire James Bond thriller with a satisfying neo-classical edge. It’s an unabashedly conventional Bond film that’s been made with high finesse and just the right touch of soul, as well as enough sleek surprise to keep you on edge.
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